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Описание: Alain Delon (8 November 1935 – 18 August 2024) Прощай легенда! Не так много я смотрел с ним (что понравилось): Бассейн / La Piscine / The Swimming Pool, 1969 На ярком солнце / Plein Soleil / Purple Noon, 1960 Затмение / L'eclisse / The Eclipse, 1962 Шпик / Полицейский / Un Flic / Dirty Money, 1972 Три шага в бреду / Tre Passi Nel Delirio / Spirits of the Dead, 1968 Леопард / Il Gattopardo / The Leopard, 1963 Смерть негодяя / Mort d'un pourri / Death of a Corrupt Man, 1977 Красный круг / Le Cercle Rouge / The Red Circle, 1970 Прощай, друг / Adieu l'ami / Farewell Friend, 1968 Девушка на мотоцикле / La Motocyclette / The Girl on a Motorcycle, 1968 Полицейская история / Flic Story / Cop Story, 1975 Красное солнце / Soleil rouge / Red Sun, 1971 Шок / Le Choc / The Shock, 1982 Двое в городе / Deux Hommes Dans La Ville / Two Men in Town, 1973 Искатели приключений / Les Aventuriers / The Last Adventure, 1967 За шкуру полицейского / Pour la peau d'un flic / For a Cop's Hide, 1981 Кроме того, он снялся в неплохом советском детективе «Тегеран-43» (1980) (Ален Делон, Наталия Белохвостикова, Игорь Костолевский, Армен Джигарханян) об истории любви советского разведчика и француженки русского происхождения, переводчицы с персидского языка. ... Среди его лучших фильмов обычно фигурируют (не забыть посмотреть): L’Eclisse [The Eclipse] (Michelangelo Antonioni, 1962) Alain Delon, Monica Vitti, Francisco Rabal, Louis Seigner, Lilla Brignone, Rossana Rory, Mirella Ricciardi La Piscine [The Swimming Pool] (Jacques Deray, 1969) Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin Plein soleil [Purple Noon] (Ren'e Cl'ement, 1960) Alain Delon, Marie Lafor^et, Maurice Ronet, Elvire Popesco Un Flic [A Cop / Dirty Money] (Jean-Pierre Melville, 1972) Alain Delon, Richard Crenna, Catherine Deneuve, Riccardo Cucciolla, Michael Conrad, Paul Crauchet, Simone Val`ere, Andr'e Pousse, Jean Desailly Le Samoura"i [The Samurai] (Jean-Pierre Melville, 1967) Alain Delon, Francois P'erier, Nathalie Delon, Cathy Rosier Le Cercle Rouge [The Red Circle] (Jean-Pierre Melville, 1970) Alain Delon, Bourvil, Yves Montand, Gian Maria Volont'e, Mireille Darc Rocco e i suoi fratelli [Rocco and His Brothers] (Luchino Visconti, 1960) Alain Delon, Renato Salvatori, Annie Girardot, Katina Paxinou, Roger Hanin, Spiros Foc'as, Paolo Stoppa, Suzy Delair, Claudia Cardinale Le battant [The Fighter] (Alain Delon, 1983) Alain Delon, Francois P'erier, Anne Parillaud, Andr'ea Ferr'eol Monsieur Klein [Mr. Klein] (Joseph Losey, 1976) Alain Delon, Jeanne Moreau, Michael Lonsdale, Francine Berg'e, Juliet Berto, Massimo Girotti, Suzanne Flon Il Gattopardo [The Leopard] (Luchino Visconti, 1963) Burt Lancaster, Claudia Cardinale, Alain Delon, Paolo Stoppa, Rina Morelli, Romolo Valli, Serge Reggiani, Terence Hill, Ida Galli, Lucilla Morlacchi, Anna Maria Bottini Mort d'un pourri [Death of a Corrupt Man] (Georges Lautner, 1977) Alain Delon, Ornella Muti, St'ephane Audran, Mireille Darc, Klaus Kinski Deux hommes dans la ville [Two Men in Town] (Jos'e Giovanni, 1973) Jean Gabin, Alain Delon, Mimsy Farmer, Victor Lanoux, C'ecile Vassort, Ilaria Occhini, Guido Alberti, Malka Ribowska, Christine Fabr'ega, G'erard Depardieu, Robert Castel, Bernard Giraudeau, Michel Bouquet Le clan des Siciliens [The Sicilian Clan] (Henri Verneuil, 1969) Jean Gabin, Alain Delon, Lino Ventura, Irina Demick, Elisa Cegani, Sabine Sun Borsalino (Jacques Deray, 1970) Alain Delon, Jean-Paul Belmondo, Catherine Rouvel, Michel Bouquet, Daniel Ivernel, H'el`ene R'emy, Odette Piquet, Mireille Darc, Laura Adani Boomerang (Arthur Penn, 1976) Alain Delon, Carla Gravina, Charles Vanel, Louis Julien, Dora Doll, Pierre Maguelon, Suzanne Flon M'elodie en sous-sol, lit [Any Number Can Win] (Henri Verneuil, 1963) Jean Gabin, Alain Delon, Claude Cerval, Viviane Romance, Carla Marlier, Dora Doll, Rita Cadillac, Dominique Davray La veuve Couderc [The Widow Couderc] (Pierre Granier-Deferre, 1971) Simone Signoret, Alain Delon, Ottavia Piccolo, Jean Tissier, Monique Chaumette, Boby Lapointe, Pierre Collet, Francois Valorbe, Jean-Pierre Castaldi Parole de flic [Cop’s Honor] (Jospeh C. Hanwright, 1985) Alain Delon, Jacques Perrin, Fiona G'elin, 'Eva Darlan, Jean-Francois St'evenin, St'ephane Ferrara, Vincent Lindon, Dominique Valera Tony Arzenta [Big Guns / No Way Out] (Joseph L. Mankiewicz, 1973) Alain Delon, Richard Conte, Carla Gravina, Marc Porel, Roger Hanin, Nicoletta Machiavelli, Lino Troisi, Silvano Tranquilli, Corrado Gaipa, Umberto Orsini, Giancarlo Sbragia, Erika Blanc, Ettore Manni, Loredana Nusciak, Rosalba Neri, Maria Pia Conte Les F'elins [Joy House] (Ren'e Cl'ement, 1964) Jane Fonda, Alain Delon, Lola Albright, Carl Studer Teheran 43 [Тегеран-43] (Alexander Alov, Vladimir Naumov, 1981) Natalya Belokhvostikova, Igor Kostolevsky, Armen Dzhigarkhanyan, Alain Delon, Claude Jade Le Passage [The Passage] (Ren'e Manzor, 1986) Alain Delon, Christine Boisson, Jean-Luc Moreau, Alain Musy, Alberto Lomeo, Jean-Pierre Levasseur, Daniel Emilfork Le retour de Casanova ('Edouard Niermans, 1992) Alain Delon, Elsa Lunghini, Fabrice Luchini, Wadeck Stanczak, Delia Boccardo, Gilles Arbona, Violetta Sanchez, Jacques Boudet, Philippe Leroy, Alain Cuny, Yveline Ailhaud, Sarah Bertrand, Rachel Bizet, Sandrine Blancke, Sophie Bouilloux La Tulipe noire [The Black Tulip] (Christian-Jaque, 1964) Alain Delon, Virna Lisi, Adolfo Marsillach, Dawn Addams, Akim Tamiroff, Laura Valenzuela, George Rigaud, Francis Blanche, Jos'e Jaspe, Robert Manuel ... Некоторые обзоры на его главные фильмы из сети: L’Eclisse [The Eclipse] (Michelangelo Antonioni, 1962) Alain Delon, Monica Vitti, Francisco Rabal, Louis Seigner, Lilla Brignone, Rossana Rory, Mirella Ricciardi A seminal masterpiece made by a true pioneer of European cinema, Michelangelo Antonioni‘s 1962 drama stars Delon and the iconic Monica Vitti. Antonioni conducts an examination of humanity’s fundamental existential despair by telling a story about a young translator (Vitti) who falls in love with a mesmerising stockbroker (Delon). Antonioni’s 1962 masterpiece ended up winning the Special Jury Prize at Cannes and was nominated for the Palme d’Or. Martin Scorsese has listed L’Eclisse as one of the films that had a profound impact on him, stating that it was a “step forward in storytelling… felt less like a story and more like a poem.” "L''Eclipse" is a meditative and visually stunning film directed by Michelangelo Antonioni. Alain Delon stars opposite Monica Vitti in this exploration of alienation and existential ennui. Delon plays Piero, a young stockbroker who becomes romantically involved with Vittoria (Vitti), a woman recently out of a tumultuous relationship. The film's narrative is secondary to its exploration of mood and atmosphere. Antonioni uses the modernist landscapes of Rome to reflect the characters' emotional states. "L''Eclipse" was acclaimed for its innovative cinematography and Antonioni's direction. It won the Special Jury Prize at the Cannes Film Festival and is considered a landmark in arthouse cinema. Delon's work in the film further established him as an actor capable of profound and introspective roles. The film is set in Rome and tells the story of a young woman named Vittoria (Monica Vitti) who is experiencing a sense of disillusionment with her life and her relationship with her boyfriend, Riccardo (Francisco Rabal). When Vittoria meets a stockbroker named Piero (Alain Delon), the two begin a passionate and intense affair. As the story unfolds, Vittoria and Piero are shown wandering through the empty and alienating streets of Rome, searching for meaning and connection in a world that seems to be increasingly fragmented and disconnected. Eventually, the couple’s relationship begins to falter, leading to a poignant and bittersweet conclusion. “L’Eclisse” is widely regarded as one of Antonioni’s masterpieces and is considered a classic of Italian cinema. The film is notable for its innovative and influential cinematography, which makes extensive use of long takes, wide shots, and striking compositions to create a sense of emptiness and alienation. The performances by Vitti, Delon, and Rabal are also widely praised, with each actor bringing a unique intensity and depth to their characters. Overall, “L’Eclisse” is a powerful and haunting meditation on the human condition, and a must-see for fans of Italian cinema. ... Plein soleil [Purple Noon] (Ren'e Cl'ement, 1960) Alain Delon, Marie Lafor^et, Maurice Ronet, Elvire Popesco Now remembered as Alain Delon’s first major project, Purple Noon is a brilliant thriller that borrowed inspiration from the famous Patricia Highsmith novel The Talented Mr. Ripley. Although the 1999 adaptation starring Matt Damon is naturally more famous, Ren'e Cl'ement’s interpretation is more masterful. Delon features as the effortlessly charming con artist Tom Ripley, a criminal who would go to any lengths to maintain his lifestyle. Many talented actors have taken this role and some cite Damon’s work as the definitive Tom Ripley but Delon’s unique take on the fascinating character is practically immortalised in the minds of those who have had the joy of experiencing it. "Purple Noon" is a gripping psychological thriller that catapulted Alain Delon to international fame. Directed by Ren'e Cl'ement, this film is an adaptation of Patricia Highsmith's novel "The Talented Mr. Ripley." Delon stars as Tom Ripley, a young man sent to Europe to retrieve a wealthy industrialist's son, Philippe Greenleaf (Maurice Ronet). As the plot unfolds, Ripley becomes enamored with Greenleaf's luxurious lifestyle and decides to take it for himself, leading to a series of deceitful and murderous events. Delon's portrayal of Ripley is both chilling and mesmerizing, capturing the character's charm and malevolence with subtlety and intensity. "Purple Noon" received critical acclaim for its taut direction, lush cinematography, and Delon's standout performance. The film won the Edgar Allan Poe Award for Best Foreign Film and remains a classic in the thriller genre. ... La Piscine [The Swimming Pool] (Jacques Deray, 1969) Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin In "La Piscine," Alain Delon reunites with Romy Schneider in a sultry and suspenseful drama directed by Jacques Deray. Delon plays Jean-Paul, a writer vacationing with his girlfriend Marianne (Schneider) at a luxurious villa in the South of France (French Riviera). Their idyllic getaway is disrupted by the arrival of Marianne's former lover, Harry (Maurice Ronet), and his daughter, Penelope (Jane Birkin). Tensions escalate as old rivalries and new attractions come to the surface. Delon's portrayal of Jean-Paul is simmering with jealousy and insecurity, making the film's climax all the more gripping. The film's lush setting and slow-burning tension have made it a classic of French cinema. "La Piscine" was a commercial success and received positive reviews for its performances and direction. Delon's chemistry with Schneider and the film's atmospheric style have contributed to its enduring appeal. ... Le Samoura"i [The Samurai] (Jean-Pierre Melville, 1967) Alain Delon, Francois P'erier, Nathalie Delon, Cathy Rosier One of the finest neo-noir films ever made, Jean-Pierre Melville constructs a memorable examination of a life of crime that is laced with philosophical subtext. Alain Delon stars as an assassin who is pursued by the police as well as the organisation that hired him. Le Samoura"i isn’t just Melville’s best work but it is also the crowning jewel of Delon’s oeuvre. It solidified his image in the mainstream consciousness as a dreamy spectre haunting an urban landscape which is completely devoid of morality. In "Le Samoura"i," Alain Delon delivers one of his most iconic performances as Jef Costello, a meticulous and stoic hitman navigating the criminal underworld of Paris. Directed by Jean-Pierre Melville, this film is a masterpiece of French noir, blending minimalist style with existential themes. Jef Costello's life is governed by a strict code of honor, reminiscent of the samurai warriors of ancient Japan. When a contract killing goes awry, Jef finds himself pursued by both the police and his employers. Delon's portrayal of Costello is hauntingly enigmatic, his silence and restraint speaking volumes. The film's stark visuals and moody atmosphere have made it a cult classic. "Le Samoura"i" was well-received by critics and has since been regarded as a seminal work in the genre, influencing countless filmmakers. ... Le Cercle Rouge [The Red Circle] (Jean-Pierre Melville, 1970) Alain Delon, Bourvil, Yves Montand, Gian Maria Volont'e, Mireille Darc Another gem by Melville which features stellar acting work by Delon, The Red Circle is an enigmatic crime thriller is one of the most unconventional heist films ever made. Almost like a deconstruction of the genre, The Red Circle is a meticulously crafted masterpiece that curates an incredible experience for the audience. While explaining the film’s title, Melville came up with this epigraph: “Siddhartha Gautama, the Buddha, drew a circle with a piece of red chalk and said: ‘When men, even unknowingly, are to meet one day, whatever may befall each, whatever the diverging paths, on the said day, they will inevitably come together in the red circle.'” "Le Cercle Rouge" is another collaboration between Alain Delon and director Jean-Pierre Melville, cementing their status as a formidable duo in French cinema. In this film, Delon plays Corey, a recently released convict who teams up with a fellow escapee, Vogel (Gian Maria Volont'e), and an ex-police sharpshooter, Jansen (Yves Montand), to pull off a meticulously planned heist. The film's title refers to a Zen Buddhist proverb about fate bringing people together. Melville's signature style—cool, methodical, and visually striking—is evident throughout the film. Delon's portrayal of Corey is understated yet powerful, embodying the stoic professionalism of a seasoned criminal. "Le Cercle Rouge" was well-received by critics and is considered one of Melville's finest works. Its influence can be seen in numerous heist films that followed, and Delon's performance remains a benchmark for the genre. The film follows the story of a recently released convict named Corey (Delon), who teams up with a former police officer named Jansen (Montand) and a sharpshooter named Vogel (Volont`e) to pull off a daring jewelry heist. As the three men plan and execute the heist, they face a series of challenges and obstacles that test their loyalty and trust in each other. The film explores themes of crime, justice, and morality, and is noted for its stylish cinematography, sparse dialogue, and minimalist approach to storytelling. Delon delivers a strong and charismatic performance as Corey, while Montand and Volont`e bring depth and complexity to their respective roles. Melville’s direction is praised for its masterful use of suspense and tension, with the heist scene in particular considered a standout moment in the film. “Le Cercle Rouge” is widely regarded as one of the greatest crime films ever made and a classic of French cinema. It has influenced many subsequent films and remains a powerful and memorable work that continues to captivate audiences to this day. ... Un Flic [A Cop / Dirty Money] (Jean-Pierre Melville, 1972) Alain Delon, Richard Crenna, Catherine Deneuve, Riccardo Cucciolla, Michael Conrad, Paul Crauchet, Simone Val`ere, Andr'e Pousse, Jean Desailly A Parisian police chief has an affair, but unbeknownst to him, the boyfriend of the woman he’s having an affair with is a bank robber planning a heist. Edouard spends his time chasing criminals. Nightclub owner Simon works with a small crew to execute daring heists with big payoffs. Meanwhile Cathy is torn between them. After a bank robbery in a small Riviera town goes wrong, a game of cat and mouse begins between Edouard and Simon’s gang. Late one rainy afternoon, four men rob a bank in the French coastal town of St.-Jean-de-Monts, not without deadly complications. The lead crook, Simon (Richard Crenna), leads a double life as the owner of a French nightclub. One of his regulars is a quiet police inspector named Coleman (Alain Delon). In time, their lines of work will shake their friendship like nothing else, not even Coleman's affair with Simon's wife, Cathy (Catherine Deneuve). "Un flic" (A Cop), also known as "Dirty Money," is a film about the dehumanizing nature of police work. Coleman is suave but conflicted, willing to slap around a suspect or even a suspected suspect but not so hardened as not to be conflicted about that. "This job makes us skeptical," his deputy Morand (Paul Crauchet) notes as the pair leave a morgue. "Especially about skepticism," Coleman replies. Director Jean-Pierre Melville was a leading light of the New Wave movement, and his commitment to impressionistic pure cinema is on strong display right at the outset. We open on the sound of crashing waves, filling the screen with blue. The car with Simon and the other robbers moves slowly into position. With rain crashing around them on an empty street, three of the four men wordlessly get out in turn to take their positions in the bank. "Un Flic" marks the final collaboration between Alain Delon and Jean-Pierre Melville. In this film, Delon switches sides, playing police commissioner Edouard Coleman. The story follows Coleman's pursuit of a gang of bank robbers, one of whom is his close friend Simon (Richard Crenna). Delon's portrayal of Coleman is marked by a cool detachment and relentless determination. The film's opening heist sequence, set in a rain-soaked Paris, is a masterclass in tension and atmosphere. As Coleman closes in on the gang, the lines between right and wrong blur, leading to a morally ambiguous conclusion. Although "Un Flic" did not achieve the same level of acclaim as Melville's earlier works, it remains a compelling and stylish crime thriller. Delon's performance as a morally complex cop adds depth to the film, making it a worthy addition to his filmography. ... Rocco e i suoi fratelli [Rocco and His Brothers] (Luchino Visconti, 1960) Alain Delon, Renato Salvatori, Annie Girardot, Katina Paxinou, Roger Hanin, Spiros Foc'as, Paolo Stoppa, Suzy Delair, Claudia Cardinale One of Delon’s breakthrough performances which propelled him into proper stardom, Luchino Visconti’s 1960 crime drama chronicles the condition of Southern immigrants who moved to northern Italy for a better life. Delon stars as Rocco in an incredibly powerful film about the sociopolitical climate of that time. The film received glowing reviews at the time of its release and won several awards but its greatest achievement is standing the test of time. Even after all these years, Rocco and His Brothers is an essential part of the body of works of both Luchino Visconti and Alain Delon. Directed by the legendary Luchino Visconti, "Rocco and His Brothers" is an epic family saga set against the backdrop of post-war Italy. The film tells the story of the Parondi family, who move from the impoverished south to the industrial north in search of a better life. Alain Delon plays Rocco Parondi, the second eldest brother, whose kindness and sense of duty contrast sharply with the brutality of his surroundings. Rocco's journey is marked by sacrifice and heartbreak as he navigates his complex relationships with his brothers, particularly Simone (Renato Salvatori), whose destructive path threatens to tear the family apart. Delon's performance is deeply affecting, showcasing his ability to convey vulnerability and strength. "Rocco and His Brothers" was critically acclaimed and won the Special Jury Prize at the Venice Film Festival. Delon's portrayal of Rocco is considered one of his finest, solidifying his reputation as a versatile and powerful actor. The movie stars Alain Delon and Annie Girardot, among others, and tells the story of a family of five brothers who move from rural Southern Italy to the industrial North in search of a better life. The film follows the family as they struggle to adapt to the fast-paced, competitive city life. Rocco (Delon), the second eldest brother, is the most sensitive and vulnerable of the siblings, and becomes embroiled in a complicated love triangle with his brother’s girlfriend, Nadia (Girardot). “Rocco and His Brothers” is a powerful and emotionally charged drama that explores themes such as family, migration, and the challenges of urbanization. The film is known for its vivid portrayal of the Italian landscape and society of the time, as well as its poignant performances and striking cinematography. The movie was highly acclaimed upon its release, and has since become a classic of Italian cinema. Its influence can be seen in the work of many subsequent filmmakers, both in Italy and around the world. “Rocco and His Brothers” is a must-watch for fans of Italian cinema and powerful family dramas. ... Le battant [The Fighter] (Alain Delon, 1983) Alain Delon, Francois P'erier, Anne Parillaud, Andr'ea Ferr'eol “Le Battant” is a 1983 French crime-thriller film directed by Alain Delon and starring Delon himself in the lead role. The film tells the story of Jacques Darnay (Delon), a retired safecracker who is forced to come out of retirement when his friend is killed by a gang of criminals. Darnay sets out to avenge his friend’s death and take down the criminal organization responsible, while also trying to protect his girlfriend (played by Carla Romanelli) and avoid being caught by the police. The film is known for its suspenseful plot, stylish cinematography, and Delon’s cool and suave performance as the charismatic anti-hero. It was a commercial success in France and helped further cement Delon’s status as a leading figure in French cinema. ... Monsieur Klein [Mr. Klein] (Joseph Losey, 1976) Alain Delon, Jeanne Moreau, Michael Lonsdale, Francine Berg'e, Juliet Berto, Massimo Girotti, Suzanne Flon A mystery drama that was produced by Delon himself, Monsieur Klein stars Delon as the titular figure of an apathetic art dealer who exploits persecuted Jewish refugees in Nazi Germany. However, things get complicated when the fascist authorities start suspecting that he is Jewish as well. A brilliant film which indulges in poignant political commentary, Delon’s work in Monsieur Klein earned him the C'esar Award for Best Actor. It almost won the coveted Palme d’Or at Cannes but was beaten to it by another masterpiece that came out in the same year – Martin Scorsese’s Taxi Driver. The film is set in Nazi-occupied Paris during World War II and tells the story of Robert Klein (Alain Delon), a wealthy art dealer who becomes embroiled in a mystery when he receives a Jewish newspaper addressed to him. As Klein investigates the matter, he becomes increasingly paranoid and obsessed, convinced that he is being mistaken for a Jewish man with the same name who is wanted by the Gestapo. ... Il Gattopardo [The Leopard] (Luchino Visconti, 1963) Burt Lancaster, Claudia Cardinale, Alain Delon, Paolo Stoppa, Rina Morelli, Romolo Valli, Serge Reggiani, Terence Hill, Ida Galli, Lucilla Morlacchi, Anna Maria Bottini In "The Leopard," Alain Delon reunites with director Luchino Visconti to create a historical epic based on Giuseppe Tomasi di Lampedusa's novel. Set during the Risorgimento, the film chronicles the decline of the Sicilian aristocracy and the rise of a new social order. Delon stars as Tancredi Falconeri, the dashing and ambitious nephew of Prince Don Fabrizio Salina (Burt Lancaster). Tancredi's charm and pragmatism contrast with his uncle's melancholic acceptance of change. Delon brings a vibrant energy to the role, capturing Tancredi's youthful exuberance and political savvy. The film's lavish production design and meticulous attention to historical detail contribute to its grandeur. "The Leopard" won the Palme d'Or at the Cannes Film Festival and received widespread critical acclaim. Delon's performance, alongside those of Lancaster and Claudia Cardinale, helped make the film a timeless classic in Italian cinema. ... Les F'elins [Joy House] (Ren'e Cl'ement, 1964) Jane Fonda, Alain Delon, Lola Albright, Carl Studer Марк Морель, «манипулятор картами, теннисными ракетками и машинами», во время пребывания в США заводит роман с женой богатого американского гангстера МакКинга. Он возвращается во Францию, а по его стопам уже идут убийцы, которые должны привезти его голову их боссу. Его захватывают в гостинице в Монте-Карло и вывозят на пустынное побережье Средиземного моря. Марку удается бежать, угнав автомобиль и направив его к обрыву. В разорванной одежде и с кровоподтеками, он автостопом добирается до ближайшего города и прячется среди бездомных в церковном приюте. Там он привлекает к себе внимание гламурной пары американского происхождения: Барбары и Мелинды, совершающих регулярные благотворительные визиты. Женщины предлагают Maрку работу шофёром, проживание и питание, и он охотно соглашается, потому что убийцы проследили его до приюта. Барбара, богатая вдова, живёт в роскошном особняке в неоготическом стиле с её бедной двоюродной сестрой, Мелиндой, которую она использует как служанку. Очень быстро молодой человек начинает понимать, что является пешкой в какой-то игре. На самом деле на вилле находится ещё один обитатель: его зовут Венсан, и полиция разыскивает его за убийство мужа его любовницы, Барбары. Паспорт Марка нужен Венсану для новой идентичности и выезда из страны. Однако Марк преуспевает в соблазнении Барбары, и та решает предать бывшего возлюбленного. Со своей стороны, Мелинда влюбляется в Maрка и пытается оторвать его от Барбары. Для достижения этой цели она заставляет мужчин поверить, будто Барбара обманывает их обоих. ... Mort d'un pourri [Death of a Corrupt Man / To Kill a Rat] (Georges Lautner, 1977) Alain Delon, Ornella Muti, St'ephane Audran, Mireille Darc, Klaus Kinski Действие происходит во Франции в 1970-е годы. Ксавье Марешаль — друг депутата Филиппа Дюбая. Филипп попал в неприятную историю, его перебранка с другим депутатом Серрано закончилась дракой и смертью последнего. Причиной размолвки стала коррупция и попытки взаимного шантажа между политическими деятелями. В руки Филиппа попадает досье Серрано, его секретный дневник, содержащий компрометирующую сильных мира сего информацию. За дневником начинается охота. Филипп, пытаясь спасти досье, передаёт его Ксавье Марешалю и сам гибнет. Марешалю удаётся спрятать дневник. На него выходят представители некой организации, которая хочет использовать компромат, для того чтобы устранить неугодных ей политиков. Ищет его и полиция. Марешаль отказывается продать информацию, и теперь его жизнь в опасности. Ксавье готов отдать дневник только при условии, если ему сообщат имя убийцы Филиппа Дюбая. Им оказывается комиссар Адриен Моро, одержимый манией великой чистки верхов общества от непорядочных людей. The film score was composed and arranged by Philippe Sarde and features saxophonist Stan Getz fronting the London Symphony Orchestra. Film director Georges Lautner, who worked with Philippe Sarde on a dozen films, said that he was always impressed by the composer's ability to find an original musical approach to each picture. This time, Sarde, who always closely follows the editing process, suggested that they needed a strong soloist, preferably a tenor saxophone player, who would serve as a musical counterpart for the actor Alain Delon's famous good looks. Being a perfectionist, he opted for Stan Getz, one of the all-time great tenor saxophonists. Watching Getz's performance, Lautner decided to find a way to put the musician in the picture. He filmed Getz playing the opening theme, "Paris, Cinq Heures du Matin", solo, and it's the saxophonist's silhouette that appears during the credits sequence in the beginning of the film... The soundtrack turned out to be costly, but the director was pleased with the outcome. Sarde's instincts were right—Getz's saxophone gave the soundtrack a lyrical, nostalgic quality—fitting for Alain Delon's quest in the film for the sake of the past, to honor the memory of his dead friend". ... Deux hommes dans la ville [Two Men in Town] (Jos'e Giovanni, 1973) Jean Gabin, Alain Delon, Mimsy Farmer, Victor Lanoux, C'ecile Vassort, Ilaria Occhini, Guido Alberti, Malka Ribowska, Christine Fabr'ega, G'erard Depardieu, Robert Castel, Bernard Giraudeau, Michel Bouquet “Two Men in Town” (original title: Deux hommes dans la ville) is a 1973 French-Algerian crime drama directed by Jos'e Giovanni. The movie stars Alain Delon and Jean Gabin in the lead roles, and tells the story of a former criminal, Gino (Delon), who is released from prison and tries to start a new life. However, he is constantly hounded by a police inspector, Germain (Gabin), who believes that Gino will inevitably return to a life of crime. The film explores themes such as redemption, justice, and the possibility of change. As Gino struggles to adjust to life outside of prison, he faces many challenges and setbacks, including pressure from his old criminal associates and a lack of support from society. Germain, meanwhile, is torn between his duty as a police officer and his sympathy for Gino’s situation. “Two Men in Town” is a gritty and powerful crime drama that offers a nuanced and complex portrayal of its characters and themes. The movie is known for its strong performances, particularly from Delon and Gabin, as well as its intense and suspenseful sequences. While the film was not a commercial success upon its release, it has since gained a reputation as a classic of French cinema. Its influence can be seen in the work of many subsequent filmmakers, particularly those working in the crime and drama genres. “Two Men in Town” is a must-watch for fans of gritty crime dramas and powerful character studies. ... Le clan des Siciliens [The Sicilian Clan] (Henri Verneuil, 1969) Jean Gabin, Alain Delon, Lino Ventura, Irina Demick, Elisa Cegani, Sabine Sun "The Sicilian Clan" is a taut crime thriller that brings together three of France's biggest stars: Alain Delon, Jean Gabin, and Lino Ventura. Directed by Henri Verneuil, the film follows the elaborate heist orchestrated by a Sicilian crime family. Delon plays Roger Sartet, a suave and cunning jewel thief who escapes from prison with the help of the Manalese clan. As Sartet works with Vittorio Manalese (Jean Gabin) to steal a valuable diamond, tensions rise, leading to a gripping showdown. Delon's charisma and intensity drive the film, making Sartet a compelling anti-hero. The film's intricate plot and stylish direction make it a standout in the heist genre. "The Sicilian Clan" was a commercial success and praised for its performances and suspenseful narrative. Delon's collaboration with Gabin and Ventura is a highlight, showcasing the talents of three legendary actors. The film also stars Jean Gabin and Lino Ventura and follows the story of a family of Sicilian gangsters who plan a daring heist on a jewelry store in Paris. Delon’s performance as Sartet is one of the highlights of the film, as he brings a sense of cool confidence and charisma to the role of a criminal mastermind. His chemistry with the other members of the cast, particularly Gabin and Ventura, adds depth and nuance to the complex relationships between the characters. Overall, “The Sicilian Clan” is a classic heist film that showcases the talents of its talented cast and director. Delon’s appearance in the film helped cement his reputation as one of the most popular and talented actors of his generation, and the film remains a beloved work of French cinema to this day. ... Borsalino (Jacques Deray, 1970) Alain Delon, Jean-Paul Belmondo, Catherine Rouvel, Michel Bouquet, Daniel Ivernel, H'el`ene R'emy, Odette Piquet, Mireille Darc, Laura Adani "Borsalino" is a classic French gangster film directed by Jacques Deray, featuring Alain Delon alongside Jean-Paul Belmondo. Set in the vibrant and tumultuous world of 1930s Marseille, the film follows the story of two small-time crooks, Roch Siffredi (Delon) and Francois Capella (Belmondo), who join forces to climb the ranks of the local underworld. Delon's character, Roch, is suave, ambitious, and determined to make a name for himself. His partnership with the equally charismatic Capella leads to a series of daring exploits, including heists, confrontations with rival gangs, and run-ins with the law. Their bond and rivalry drive the narrative, making "Borsalino" as much a character study as it is a crime drama. The film was a box office hit and is noted for its stylish direction, period-accurate production design, and the dynamic chemistry between Delon and Belmondo. The two leading actors' star power drew significant attention, and their performances were widely praised. "Borsalino" has since become a cult favorite, remembered for its thrilling action sequences and the magnetic presence of its stars. The film's success led to a sequel, "Borsalino & Co.," further cementing its legacy in French cinema. ... Les F'elins [Joy House] (Ren'e Cl'ement, 1964) Jane Fonda, Alain Delon, Lola Albright, Carl Studer In Monte Carlo, Marc, a handsome card sharp, escapes American gangsters who have been ordered to kill him because he had an affair with the boss's wife. Marc hides in a mission for the poor where Barbara, a wealthy widow, finds him and hires him as her chauffeur. At Barbara's chateau, her niece Melinda becomes attracted to Marc, and Marc discovers that Barbara is hiding her lover Vincent in the secret rooms and passageways of the chateau. Vincent is a bank robber sought by the police for murdering Barbara's husband. He and Barbara plan to murder Marc so that Vincent may use Marc's passport to escape to South America. Marc and Barbara begin an affair but are discovered by Vincent, who then kills Barbara but is also killed by the American gangsters who mistake him for Marc. Marc and Melinda plan to dispose of the two bodies, but when Melinda learns that Marc is planning to leave without her, she tricks the police into believing that Marc is guilty and forces him to hide in the chateau's secret rooms. He is her prisoner, just as Vincent had been her aunt's. ... Teheran 43 [Тегеран-43] (Alexander Alov, Vladimir Naumov, 1980) Natalya Belokhvostikova, Igor Kostolevsky, Armen Dzhigarkhanyan, Alain Delon, Claude Jade Совместное производство «Мосфильм» (СССР), «Mediterranee Cinema» (Франция) и «Pro Dis Film» (Швейцария). В ролях снимались Игорь Костолевский, Наталья Белохвостикова, Армен Джигарханян и звёзды мирового кино (Ален Делон, Курд Юргенс, Клод Жад). Телеверсия фильма называется «Покушение» По заданию гитлеровского руководства в Тегеран осенью 1943 накануне переговоров глав правительств трёх союзных держав проникает группа немецких террористов, возглавляемая агентом Шернером («Палач»). Официальный повод для приезда — сопровождение тела богатого иранца, умершего в Швейцарии. Смерть на самом деле является подстроенным убийством. Адвокат умершего — месье Симон везёт гроб в Тегеран в сопровождении нанятых переводчицы и агента похоронной конторы. Переводчица — Мари Луни — русская по происхождению, владеет французским, русским, английским и фарси. Под видом гробовщика скрывается убийца Макс Ришар, нанятый Шернером. В аэропорту Женевы Мари знакомится с Андрэ, не зная, что он советский разведчик, тайно следующий в Тегеран для обеспечения безопасности переговоров. После похорон тела иранца убивают адвоката Симона: накануне он делился подозрениями о том, что смерть его клиента не случайна. Убить должны и Мари, но её спасает Андрэ. В результате их усилий сложная террористическая операция со множеством отвлекающих ходов успешно предотвращается. Однако организатору покушения Шернеру и его главному подручному, наёмному убийце Максу Ришару, удаётся уйти от возмездия. В 1970-е годы интерес к этой истории возрождается вновь в связи с тем, что неожиданно появилась считавшаяся утерянной плёнка с кинохроникой событий тех лет. Киноплёнку сохранил Макс Ришар, который решил её продать с аукциона вместе с написанными мемуарами о его собственном участии в покушении. Он смотрит фильм и в тоскливом одиночестве, и вместе с теми, кто пытается его продать или купить, и в компании Франсуаз — женщины, которую ему «подставили» нынешние террористы. Когда было объявлено об аукционе, Шернер и его приспешники — участники террористической организации, начинают охоту за плёнкой и за оставшимися в живых свидетелями... ... Boomerang (Arthur Penn, 1976) Alain Delon, Carla Gravina, Charles Vanel, Louis Julien, Dora Doll, Pierre Maguelon, Suzanne Flon Boomerang! is a 1976 American crime thriller film directed by Arthur Penn and starring a star-studded cast that includes Jane Fonda, Lee Grant, and Roy Scheider. The film is based on the true story of the murder of a priest in Bridgeport, Connecticut, and the subsequent investigation that led to the arrest and trial of a black man, who was falsely accused and later exonerated. Fonda plays Jenny, a public defender who is assigned to defend the accused man, played by Yaphet Kotto. Despite the mounting evidence against him, Jenny becomes convinced of his innocence and begins to investigate the case on her own. As she uncovers new evidence and confronts corruption in the police department and the judicial system, she risks her career and her life to uncover the truth. Boomerang! is a tense and suspenseful film that tackles issues of race, corruption, and justice in America. It is notable for its strong performances, particularly by Fonda and Kotto, and its nuanced portrayal of the complexities of the justice system. The film was well-received by critics and audiences, and is now considered a classic of 1970s American cinema. Boomerang! is a powerful and thought-provoking film that still resonates today, and its themes of racial injustice and corruption remain sadly relevant in modern society. ... M'elodie en sous-sol, lit [Any Number Can Win] (Henri Verneuil, 1963) Jean Gabin, Alain Delon, Claude Cerval, Viviane Romance, Carla Marlier, Dora Doll, Rita Cadillac, Dominique Davray “Any Number Can Win” (original title: “M'elodie en sous-sol”) is a 1963 French crime film directed by Henri Verneuil and starring Jean Gabin, Alain Delon, and Viviane Romance. The film follows Charles (Gabin), an aging thief who plans a heist on a casino with the help of a younger accomplice named Francis (Delon). The two men must navigate their differences in age, personality, and style, while also dealing with unexpected obstacles and the risk of getting caught by the police. The film is known for its suspenseful plot, clever twists, and strong performances by its cast, particularly Gabin and Delon. It was a critical and commercial success in France and helped establish Delon as a rising star of French cinema. The film was later remade in Hollywood as “The Good Thief” (2002) starring Nick Nolte. ... La veuve Couderc [The Widow Couderc] (Pierre Granier-Deferre, 1971) Simone Signoret, Alain Delon, Ottavia Piccolo, Jean Tissier, Monique Chaumette, Boby Lapointe, Pierre Collet, Francois Valorbe, Jean-Pierre Castaldi “The Widow Couderc” is a 1971 French drama film directed by Pierre Granier-Deferre, in which Alain Delon plays the role of Jean Lavigne, a young man who becomes romantically involved with a much older woman, the widow Couderc (Simone Signoret). The film is set in the rural French countryside and explores themes of love, passion, and betrayal. Delon’s performance in the film is praised for its nuance and sensitivity, as he portrays a complex character who is torn between his desire for the widow Couderc and his loyalty to his own family. His chemistry with Simone Signoret, who won the Best Actress award at the Venice Film Festival for her performance, adds depth and emotion to the story. “The Widow Couderc” is considered one of the best films of Alain Delon’s career, showcasing his range as an actor and his ability to convey powerful emotions through subtle gestures and expressions. The film is a timeless classic of French cinema and a must-watch for fans of Delon and Signoret alike. ... Parole de flic [Cop’s Honor] (Jospeh C. Hanwright, 1985) Alain Delon, Jacques Perrin, Fiona G'elin, 'Eva Darlan, Jean-Francois St'evenin, St'ephane Ferrara, Vincent Lindon, Dominique Valera “Cop’s Honor” is a crime drama film released in 1985, directed by Jospeh C. Hanwright and written by Andrew J. Fenady. The movie stars Timothy Dalton, Anthony Edwards, and Beverly D’Angelo. The film tells the story of young police officer Tony Church (played by Anthony Edwards), who is eager to make a name for himself in the force. He is partnered with veteran cop John Kilpatrick (played by Timothy Dalton), who is known for his tough approach and unwavering commitment to justice. As the two men investigate a series of crimes in the city, they find themselves at odds over how to handle the cases, leading to a conflict that threatens to tear them apart. “Cop’s Honor” is known for its gripping storyline, tense action sequences, and strong performances, particularly from Timothy Dalton as the grizzled veteran cop. The movie has been praised for its realistic portrayal of police work, as well as its exploration of themes of loyalty, honor, and the price of justice. While the film was not a major commercial success, it has gained a cult following over the years for its compelling characters and engaging storyline. “Cop’s Honor” remains a solid entry in the crime drama genre, and it continues to be enjoyed by fans of gritty, hard-hitting cinema. ... Tony Arzenta [Big Guns / No Way Out] (Joseph L. Mankiewicz, 1973) Alain Delon, Richard Conte, Carla Gravina, Marc Porel, Roger Hanin, Nicoletta Machiavelli, Lino Troisi, Silvano Tranquilli, Corrado Gaipa, Umberto Orsini, Giancarlo Sbragia, Erika Blanc, Ettore Manni, Loredana Nusciak, Rosalba Neri, Maria Pia Conte “No Way Out” is a 1973 crime thriller directed by Joseph L. Mankiewicz and starring Sidney Poitier, Richard Widmark, and Stephen McNally. The film follows the story of a black police detective named Virgil Tibbs (Poitier) who is assigned to investigate the murder of a prostitute in San Francisco’s red-light district. As Tibbs delves deeper into the case, he uncovers a web of corruption and deceit that leads him to suspect a wealthy businessman named Bracken (Widmark) and his associates. Despite facing resistance from his superiors and racism from the community, Tibbs remains determined to solve the case and bring the perpetrators to justice. “No Way Out” is praised for its strong performances and taut direction, with Poitier delivering a compelling portrayal of a determined and resourceful detective. Widmark is also lauded for his portrayal of a morally ambiguous villain, while Mankiewicz’s direction is praised for its gritty and realistic depiction of the San Francisco underworld. The film is noted for its themes of racial tension and prejudice, with Tibbs facing discrimination and hostility from both the criminal underworld and the police force. “No Way Out” is considered a landmark film in the portrayal of African American characters in mainstream cinema, and remains a powerful and relevant work that continues to resonate with audiences today. ... Le Passage [The Passage] (Ren'e Manzor, 1986) Alain Delon, Christine Boisson, Jean-Luc Moreau, Alain Musy, Alberto Lomeo, Jean-Pierre Levasseur, Daniel Emilfork Jean Diaz is a filmmaker working on an animated feature that would speak out against violence, when he is suddenly killed in an accident. Diaz comes around after death only to face Death personified, who wants to strike a bargain with him. Известный художник работает над созданием мультипликационного фильма, направленного против самой идеи насилия. Но после случайной смерти он оказывается перед лицом воплощённой Смерти, желающей заключить с ним договор. Согласно этому договору, художник будет возвращён к жизни, но взамен должен будет закончить свой фильм уже по плану Смерти, желающей полного уничтожения человечества. Однако если договор будет нарушен, то сын героя, находящийся в коме, умрёт. ... Le retour de Casanova ('Edouard Niermans, 1992) Alain Delon, Elsa Lunghini, Fabrice Luchini, Wadeck Stanczak, Delia Boccardo, Gilles Arbona, Violetta Sanchez, Jacques Boudet, Philippe Leroy, Alain Cuny, Yveline Ailhaud, Sarah Bertrand, Rachel Bizet, Sandrine Blancke, Sophie Bouilloux “Le retour de Casanova” is a 1992 French-Italian romantic comedy film directed by 'Edouard Niermans and starring Alain Delon as the famous lover Giacomo Casanova. The film tells the story of Casanova, who, after being exiled from Venice, returns to Paris in search of a wealthy patron who can help him clear his debts and restore his reputation. Once in Paris, Casanova becomes embroiled in a series of romantic misadventures as he tries to woo a wealthy widow named Madame de Pompadour (Fabrice Luchini) while also reconnecting with an old flame named Marcolina (Francesca Dellera). As he navigates his complicated love life, Casanova also finds himself caught up in political intrigue and must use his wits and charm to stay ahead of his enemies. “Le retour de Casanova” is notable for its lavish production design and costumes, which evoke the opulence and decadence of 18th-century France. Delon delivers a charming and charismatic performance as Casanova, while Luchini and Dellera provide strong support as his love interests. The film is also notable for its light-hearted tone and playful approach to the romantic comedy genre, with director Niermans infusing the story with a sense of whimsy and humor. While not as critically acclaimed as some of Delon’s other films, “Le retour de Casanova” remains an entertaining and enjoyable entry in the actor’s filmography. ... La Tulipe noire [The Black Tulip] (Christian-Jaque, 1964) Alain Delon, Virna Lisi, Adolfo Marsillach, Dawn Addams, Akim Tamiroff, Laura Valenzuela, George Rigaud, Francis Blanche, Jos'e Jaspe, Robert Manuel “The Black Tulip” is a French adventure film released in 1964, directed by Christian-Jaque and starring Alain Delon, Virna Lisi, and Dawn Addams. The film is based on the novel of the same name by Alexandre Dumas. The movie is set in the Netherlands during the 17th century, and tells the story of two brothers, Cornelius (Alain Delon) and Johan de Witt, who are both passionate about horticulture. When the two brothers develop a new breed of black tulip, they enter a competition to win a prize offered by the city council. However, their political enemies, led by the corrupt nobleman Isaac Boxtel (George Rigaud), conspire to steal their invention and claim it as their own. The de Witt brothers are then falsely accused of plotting against the government, and they are forced to go into hiding to avoid being executed. “Black Tulip” is a visually stunning film with a lush and vivid portrayal of the Dutch countryside. The movie’s themes of betrayal, intrigue, and political corruption are a hallmark of Dumas’ work, and the film does justice to the original novel. Alain Delon delivers a solid performance as Cornelius, bringing depth and emotional resonance to the character. Overall, “Black Tulip” is an engaging and thrilling adventure film that is sure to delight fans of Alexandre Dumas’ work. ... Alain Delon @ Top-70 [kinopoisk] Рокко и его братья / Rocco e i suoi fratelli, 1960 Двое в городе / Deux hommes dans la ville, 1973 Затмение / L'eclisse, 1962 Самурай / Le samoura"i, 1967 Красный круг / Le cercle rouge, 1970 На ярком солнце / Plein soleil, 1960 Искатели приключений / Les aventuriers, 1967 Дьявол и десять заповедей / Le Diable et les Dix Commandements, 1962 Зорро / Zorro, 1975 Прощай, друг / Adieu l'ami, 1968 Леопард / Il gattopardo, 1963 Первая ночь покоя / La prima notte di quiete, 1972 Мелодия из подвала / M'elodie en sous-sol, 1963 Красное солнце / Soleil rouge, 1971 Мсье Кляйн / Mr. Klein, 1976 Хищники / Les f'elins, 1964 Бассейн / La piscine, 1969 Сицилийский клан / Le clan des Siciliens, 1969 Тегеран-43 / 1980 Черный тюльпан / La Tulipe Noire, 1963 Кристина / Christine, 1958 Вдова Кудер / La veuve Couderc, 1971 Смерть негодяя / Mort d'un pourri, 1977 Спешащий человек / L'homme press'e, 1977 Борсалино / Borsalino, 1970 Три шага в бреду / Histoires extraordinaires, 1968 Наша история / Notre histoire, 1984 Слабые женщины / Faibles femmes, 1959 За шкуру полицейского / Pour la peau d'un flic, 1981 Любовь у моря / L'amour `a la mer, 1965 Полицейская история / Flic Story, 1975 Троих нужно убрать / 3 hommes `a abattre, 1980 Неукротимый / Le battant, 1983 Непокоренный / L'insoumis, 1964 Жил-был вор / Once a Thief, 1965 Крупный калибр / Tony Arzenta (Big Guns), 1973 Как хорошо жить / Che gioia vivere, 1961 Пес / Le chien, 1962 Скорпион / Scorpio, 1973 Желтый роллс-ройс / The Yellow Rolls-Royce, 1964 Подозрение / Les granges br^ul'ees, 1973 Слово полицейского / Parole de flic, 1985 Техас за рекой / Texas Across the River, 1966 Дьявольски ваш / Diaboliquement v^otre, 1967 Осторожно, смотрят дети / Attention, les enfants regardent, 1978 Борсалино и компания / Borsalino and Co., 1974 Не будите спящего полицейского / Ne r'eveillez pas un flic qui dort, 1988 Цыган / Le gitan, 1975 Любовь Свана / Un amour de Swann, 1983 Дорога школяров / Le chemin des 'ecoliers, 1959 Горит ли Париж? / Paris br^ule-t-il ?, 1966 Пропавший отряд / Lost Command, 1966 Шок / Le choc, 1982 Возвращение Казановы / Le Retour de Casanova, 1992 Будь красивой и молчи / Sois belle et tais-toi, 1958 Преступление / Un crime, 1993 Ледяная грудь / Les seins de glace, 1974 Банда / Le Gang, 1976 Джефф / Jeff, 1969 Знаменитые любовные истории / Amours c'el`ebres, 1961 Военврач / Le toubib, 1979 Мэдли / Madly, 1970 Раса «господ» / La race des «seigneurs», 1974 Лечение шоком / Traitement de choc, 1972 Армагедон / Armaguedon, 1977 Девушка на мотоцикле / The Girl on a Motorcycle, 1968 Потише, басы! / Doucement les basses, 1971 Убийство Троцкого / The Assassination of Trotsky, 1972 Конкорд: Аэропорт-79 / The Concorde: Airport '79, 1979 Когда вмешивается женщина / Quand la femme s'en m^ele, 1957 ... В апреле 1972 итальянская певица Минa и актёр Альберто Лупо (Mina & Alberto Lupo) вышли на сцену с песней - Parole, Parole: www.youtube.com/watch?v=O_GhN8wAAPI, она сразу же стала хитом и зазвучала по всей Европе. Вскоре Минa выпустила пародию, которую она исполняла уже с Адриано Челентано. Adriano Celentano Mina e Alberto Lupo Parole parole Teatro 10 Puntata del 07.05.1972: www.youtube.com/watch?v=fOhuw7Qadrs Осенью того же 1972 года Далида (французская певица и актриса итальянского происхождения - Iolanda Cristina Gigliotti) и Ален Делон встретились в студии (в далёкой юности между актёром и певицей был роман, о котором не знал даже брат певицы), чтобы записать французский вариант хита Alain Delon e Dalida - Paroles Paroles: www.youtube.com/watch?v=88JHI7IEHvc. Как это нередко бывает, копия оказалась куда успешнее оригинала, в наши дни все знают эту песню именно по дуэту бывших любовников Далиды и А.Делона. В декабре 1996 Делон исполнил этот хит с Селин Дион (C'eline Dion & Alain Delon - Paroles, paroles - Reprise de Dalida). Paroles, Paroles (оригинал Dalida feat. Alain Delon) Слова, слова (перевод Mickushka из Москвы) C'est 'etrange, Так странно... Je n'sais pas ce qui m'arrive ce soir, Что со мной такое этим вечером?.. Je te regarde comme pour la premi`ere fois. Я вижу тебя как будто бы в первый раз... Encore des mots toujours des mots Опять слова, одни и те же, Les m^emes mots Снова слова да слова... Je n'sais plus comment te dire, Я не знаю, как сказать тебе... Rien que des mots И ничего кроме слов... Mais tu es cette belle histoire d'amour... Ты — самая красивая любовная история, que je ne cesserai jamais de lire. Которую я никогда не перестану читать... Des mots faciles des mots fragiles Лёгкие, хрупкие слова... C''etait trop beau Слишком прекрасные... Tu es d'hier et de demain Ты — моё прошлое и моё грядущее... Bien trop beau Слишком прекрасные... De toujours ma seule v'erit'e. Ты — моя вечная истина... Mais c'est fini le temps des r^eves Но время мечтаний подходит к концу, Les souvenirs se fanent aussi А воспоминания исчезают, quand on les oublie Когда о них забывают. Tu es comme le vent qui fait chanter les violons Ты — ветер, играющий на струнах скрипки et emporte au loin le parfum des roses. И уносящий вдаль аромат роз... Caramels, bonbons et chocolats Все эти карамельки, конфетки, шоколадки... Par moments, je ne te comprends pas. Иногда я тебя не понимаю!.. Merci, pas pour moi Благодарю, но это не по мне, Mais tu peux bien les offrir une autre Подари их той, qui aime le vent et le parfum des roses Которой нравятся ветер и аромат роз, Moi, les mots tendres enrob'es de douceur А лично для меня все эти слова, окутанные нежностью, se posent sur ma bouche mais jamais sur mon coeur Услаждают мой слух, но не трогают сердце. Une parole encore. Ещё одно слово... Parole, parole, parole Слова, слова, слова... Ecoute-moi. Да послушай же меня! Parole, parole, parole Слова, слова, слова... Je t'en prie. Умоляю! Parole, parole, parole Слова, слова, слова... Je te jure. Клянусь! Parole, parole, parole, parole, parole Слова, слова, слова, слова, слова... encore des paroles que tu s`emes au vent Опять ты бросаешь слова на ветер... Voil? mon destin te parler.... Это моя судьба — говорить о тебе, te parler comme la premi`ere fois. Говорить о тебе всегда, словно в первый раз... Encore des mots toujours des mots Всё те же слова, опять слова, les m^emes mots Те же самые слова... Comme j'aimerais que tu me comprennes. Как бы я хотел, что ты поняла меня... Rien que des mots Ничего, кроме слов... Que tu m''ecoutes au moins une fois. Ну хоть раз выслушай же меня! Des mots magiques des mots tactiques Чарующие, тонко просчитанные речи... qui sonnent faux Какие же они фальшивые!.. Tu es mon r^eve d'efendu. Ты — моя сокровенная мечта... Oui, tellement faux Да, какая фальш... Mon seul tourment et mon unique esp'erance. Ты — мой тяжкий крест и моя надежда... Rien ne t'arr^ete quand tu commences Тебя не остановить, если начнёшь. Si tu savais comme j'ai envie Знал бы ты, как мне хочется иной раз d'un peu de silence Побыть в тишине... Tu es pour moi la seule musique... Ты — музыка, заставляющая звёзды танцевать qui fit danser les 'etoiles sur les dunes На песчаных дюнах... Caramels, bonbons et chocolats Карамельки, конфетки, шоколадки... Si tu n'existais pas d'ej? je t'inventerais. Если бы тебя не существовало, я бы выдумал тебя... Merci, pas pour moi Благодарю, но это не по мне, Mais tu peux bien les offrir une autre Можешь подарить их той, qui aime les 'etoiles sur les dunes Которой нравятся звёзды и дюны... Moi, les mots tendres enrob'es de douceur А лично для меня все эти слова, окутанные нежностью, se posent sur ma bouche mais jamais sur mon coeur Услаждают мой слух, но не трогают сердце. Encore un mot juste une parole Ещё одно слово... Parole, parole, parole Слова, слова, слова... Ecoute-moi. Да послушай же меня! Parole, parole, parole Слова, слова, слова... Je t'en prie. Умоляю! Parole, parole, parole Слова, слова, слова... Je te jure. Клянусь! Parole, parole, parole, parole, parole Слова, слова, слова, слова, слова... encore des paroles que tu s`emes au vent Опять ты бросаешь слова на ветер... Que tu es belle! Ты так прекрасна" Parole, parole, parole Слова, слова, слова... Que tu est belle! Ты так прекрасна! Parole, parole, parole Слова, слова, слова... Que tu es belle! Ты так прекрасна! Parole, parole, parole Слова, слова, слова... Que tu es belle! Ты так прекрасна! Parole, parole, parole, parole, parole Слова, слова, слова, слова, слова... Encore des paroles que tu s`emes au vent Опять ты бросаешь слова на ветер... #alaindelon #delon #france #films

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